Ken Tamminga
landscape architecture・urbanism
Distinguished Professor Emeritus
Texel, NL
Ken Tamminga
landscape architecture・urbanism
Distinguished Professor Emeritus
Texel, NL
Barcelona 2026 is Penn State's six-week summer program in Barcelona, Spain, in partnership with the Barcelona Architecture Center (BAC). Our landscape architecture undergrads study the city in its Catalonian and Mediterranean contexts. We explore its vibrant places—its cityscapes and plazas, parks and green infrastructure, and many-layered history. We also travel to Madrid, Girona, Olot and Costa Brava.
This year we focused on sustainable and convivial urban waterfront design as an antidote to mass tourism. Our major project explored the radical transformation of the Barcelona Pier—removing the misfit World Trade Center and cruise ship docks in favor of a fully accessible waterfront and newly-productive coastal habitats, all within the rubric of a climate change-responsive and authentic Mediterranean urbanism. Our students are rising to the occasion!
Many thanks to our BAC partners and associates for their abiding commitment to our students' learning and well-being. They so generously shared with us their beloved Catalonia, and for that we will always be grateful. A special call-out to my amazing colleagues and friends, David Espuña and Pilar Llop. Finally, we recognize and appreciate the behind-the-scenes support of Penn State Global staff. Thanks, one and all.
Welcome
Here you'll find an overview of my work in landscape architecture, urbanism, and teaching. I focus on contextual and ecology-informed design, inclusive green places in cities, and novel and restored ecosystems at multiple scales.
I retired from Penn State in 2024 but remain active in the field. I continue to study convivial greenstreets in urban cores, and recently served as faculty lead on Penn State's Barcelona 2026 Summer Studio. Our recent book, Sustainable | Sustaining City Streets, expanded on the ways that streets and urban life intertwine. Many of my publications since 1993 are available in PDF form.
From 2000 to 2013 I collaborated with action research colleagues and local partners on resilience-building projects in Brazil, south Asia, and sub-Sahara Africa—places that struggle, to varying degrees, with impacts from a colonial past, economic globalism, weak governance and, increasingly, climate change.
While on tenure track (1993-1999) I focused on scholarly applications of ecological design and restoration as an extension of my professional work in Canada. I contributed original work that explored the intersection of design, planning, and the synthetic ecologies. Highlights included collaborations with CMU colleagues on Nine Mile Run restoration in Pittsburgh, a handful of scholarly papers on regenerative strategies at the (bio)regional scale, a core role in the Shire Conference and resulting book Ecology and Design: Frameworks for Learning, and involvement with the Society for Ecological Restoration. How all of this related to pedagogy took up a lot of my mental energy.
From the mid-80s to 1993 I practiced landscape architecture and urban & regional planning in Ontario, Canada. I was fortunate to have some talented role models, including landscape architects, planners, ecologists, engineers, archaeologists, artists, architects, economists, and soil scientists. We took on some really challenging and progressive projects that remain exemplars to this day: Don River restoration, Rouge National Urban Park, HP headquarters, the Toronto Brickworks, Massasauga Provincial Park, Toronto Outer Harbour marina, bioregional studies in the Greater Toronto Area, and many others.
1993 was the pivotal year in which I discovered the joys of working with students in studio and out on forays near and far. My teaching portfolio includes graduate research, a full range of studios, applied ecology and plant-based courses, and study abroad modules. In particular, our studio work sought to:
craft welcoming and inclusive places
incorporate natural processes that sustain biodiversity and human life
tap into intrinsic links between region, landscape system and site
be sensitive to cultural and historical contexts
confront wicked problems (climate change, social polarization, etc.) to the extent possible in each commission, and
make space for beauty, all while tending to the daily task of creative and technical competency.
Community-engaged learning has always been a key tenet of my teaching philosophy. I led or co-led over 40 public scholarship courses that challenged students with messy and exhilarating community-based projects. These ranged in scale from small landscape installations to neighborhood regenerative strategies to longer term territorial and peri-urban visions.
Most notably, from 1996–1999 and 2008–2023, my award-winning Pittsburgh Studio introduced students to a relational process of designing in and with underserved post-industrial communities. Free of the conventional client-consultant model, and through the Franco Harris Pittsburgh Center, neighborhood organizations invited us in as working partners. Our mutually-beneficial collaborations thrived on reciprocal learning and design co-authorship. Our partners experienced the power of design and were inspired to further action. And studio alums entered professional practice with unusual fluency in, and commitment to, engaged and democratic design.
Last Fall I was inducted as Academy Professor into the Penn State Emeritus Academy.
Feel free to contact me.
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